WindSync quintet to perform Belton concert on March 3
January 15, 2026

WindSync, a vibrant wind quintet with a unique sound, will perform in Belton on Tuesday, March 3, at a 7 p.m. concert in the Baugh Performance Hall on the University of Mary Hardin-Baylor campus. Tickets may be purchased at TicketReturn.com.
According to Kara LaMoure, bassoonist for the ensemble, WindSync’s current tour features a repertoire that includes works by contemporary composers such as Nadia Boulanger.
“This spring we are touring works from our new album Nadia, which releases March 13,” said LaMoure. “These include Etude No. 17 by Philip Glass and Three Pieces by Nadia Boulanger, transcribed from scores for keyboard and cello/piano by me.”
“We also like to include a masterpiece of wind chamber music on every program, and to this end, we will perform Mozart’s Serenade in C Minor,” she said.
LaMoure said the album is a tribute to legendary composer, conductor, speaker and teacher Nadia Boulanger, a hidden architect of 20th-century American music who was, in fact, a Parisian woman.
“She was the teacher of Aaron Copland, Elliott Carter, Philip Glass, Astor Piazzolla, Quincy Jones, and many others,” she said.
“Nadia deliberately nurtured each student’s unique voice, helping explain the stylistic diversity that defines American music today (“E pluribus unum” in action!).”
“The album will be released during Women’s History Month and the same week as International Women’s Day (March 8),” LaMoure said.
WindSync includes Garrett Hudson on flute, Noah Kay on oboe, Graeme Johnson on clarinet, Anni Hochhalter on French horn and LaMoure on bassoon.
“This is my 10th year with WindSync,” LaMoure said. “I began my musical journey playing piano when I was in kindergarten and I sang in children’s choirs. Bassoon quickly became my primary instrument as a beginner in sixth-grade band class. It just felt like the right match.”
“WindSync has a national touring career and also runs a concert series in our artistic hometown of Houston,” she added. We don’t compose our own music. Instead, we curate and generate our own repertoire, either by arranging pre-existing works or commissioning composers to write for us. The result is a program that covers a lot of artistic ground and explores diverse sounds, but one that tells a unified and compelling story.”
“We keep a yearround schedule,” LaMoure said. “We’re thrilled to see our career grown and we always love introducing new fans to wind chamber music.”
“Chamber music is fun! It’s a conversation in music, there for all to observe. Part of WindSync’s performance style that really highlights this is that we memorize a portion of every concert. Without music stands to play to (or hide behind when convenient!), we share every single gesture with each other and with the audience.”
“For the Belton concert, we will not be playing any instruments besides the ones that we trained for, but newcomers to the wind instruments are often surprised to learn that when each of us studies our instrument, we are actually learning a family of instruments. So our oboist Noah, for instance, will perform part of the concert on the English horn — a deeper and lower sounding member of the oboe family — and our clarinetist Graeme routinely switches between two clarinets, pitched in A and B-flat.”
“Perhaps relatable to a lot of people in Central Texas, we wind musicians are all just overgrown band kids,” LaMoure said with a laugh.
“Two members of WindSync (myself and Graeme) actually went to high school in DFW and remember those formative experiences like marching band and football games fondly,” she said. “I like to think we carry a little bit of the showmanship and creativity of those days with us, while sharing a piece of the transcendent artistry that we love about the chamber music world.








